1. It’s a story of friendship
One of the prevailing themes of both Harry Potter and The Gateway Chronicles is that of friendship. In both stories, the narrative turns on the relationships between the main character and his (or, in my book, her) friends. When friendships are out of balance, so is the mental health and wellbeing of the main characters. In the first book of my series, The Six, Darcy Pennington’s success hinges on whether or not she will allow some new friends into her life.
2. It’s a “fish out of water” story
As with any good “gateway” fantasy, taking the main character and trapping them in a new world/situation makes for all sorts of fun. This is what happens to Harry when he meets Hagrid (and proceeds to Diagon Alley, Platform 9 ¾, and Hogwarts), and for my main character, Darcy, it’s what happens when her parents drag her against her will to Cedar Cove Family Camp, where she slowly discovers some odd occurrences that could be magical… until she stumbles through a gateway to another world and all doubt is erased. Like Harry, Darcy (and her five friends) find out everyone in this alternate world knows a whole lot more about them than they know about themselves, and not only that, but they have magical abilities.
3. There is a slow-burning, friends-to-more, romance
One of the things I always loved about Harry Potter was the fact that I could tell Harry would eventually end up with Ginny, but Rowling took her time about getting there. Not only was this appropriate for the intended audience of the books, but it made the ultimate romance more believable and satisfying, in the end. In The Gateway Chronicles, Darcy also meets her eventual great love right away in The Six, but she’s only 13, and they don’t terribly like each other. Dislike turns into friendship in books 2 and 3, The Oracle and The White Thread, and into… more as the series progresses and the characters age. It’s a more prominent storyline than Harry and Ginny’s romance in Harry Potter, but a similarly slow burn.
4. Each book is a year-long adventure
There are a handful of things I intentionally patterned closely after Harry Potter, and this is one of them. Each book in The Gateway Chronicles (with the exception of the final book, The Bone Whistle), is a year-long adventure in the world of Alitheia. Just as you know exactly what you’re getting when you sit down to read a Harry Potter novel (one year at Hogwarts, with some adventures preceding and immediately after), likewise, that’s what you’re getting with The Gateway Chronicles.
5. The adults in the story are not wicked, foolish, or pointless
It is not uncommon in YA literature that all (or most) of the adults in the story end up being wicked, foolish, or pointless. J. K. Rowling avoided this trap so well in Harry Potter, and I sought to do likewise. So, if you’re a Dumbledore, Remus Lupin, Molly Weasley, or Sirius Black fan, I assure you that I have adult characters that are similarly not only not wicked, foolish, or pointless, but who have crucial roles to the story and who treat the young main characters with respect and dignity.
6. Episodic books; series metanarrative
As with Harry Potter, each book in The Gateway Chronicles tells a contained story — that concludes itself — while also contributing to a metanarrative. In other words, just as Voldemort isn’t defeated until Deathly Hallows, so my “big bad,” Tselloch, isn’t defeated until the very end of The Gateway Chronicles. But each individual book has its own narrative arc and individual conflict that, while resolving, also furthers the greater story. I patterned this after Harry Potter because I don’t like getting to the end of a book and feeling like it just ended without resolution, but I also think a series should have a clear metanarrative from beginning to end.
7. Unique magical elf-creatures
Every good fantasy series should invent some unique magical creature. J. K. Rowling has house elves (among others), and I created narks — which are elves that switch from day to night personas depending on whether it’s day or night (two beings housed in one body). There are lots of magical creatures in The Gateway Chronicles, but narks have proven to be, based on reader feedback, the favorite addition.
8. You get to grow with the characters
I loved growing up with Harry, Ron, and Hermione. That was part of the delight of reading a “There and back again,” yearly episodic story — knowing that in each book, the characters would be a year older with all the unique traits that come along with each new year as a teen. Thus, in writing The Gateway Chronicles, I wanted to do likewise — not just for my young readers who would get to empathize with the characters who were walking alongside them, but for my older readers, too, looking back on those ages and remembering.
9. There is a magical system to learn
The magical system in The Gateway Chronicles is very different from the magical system in Harry Potter (it’s alchemy and enchantments and elemental magic, no wands or charms or anything like that), but when Darcy and her friends arrive in Alitheia, they get there with abilities that are new to them and no idea how to use them. Although there’s no magic school for them to attend, they are privately tutored in magic, and this instruction takes up a good amount of the story in The Six and on into books 2 and 3 (and even book 4, if I think about it). So if you love the classroom scenes at Hogwarts, there is plenty of that to go around in my books, as well.
10. The kids act their age
A recent complaint buzzing around the internet is that teens no longer act like teens in YA lit. Something I have always appreciated about Rowling’s young characters is that they actually act their age. Her authenticity inspired me, and I think it’s so important to have characters like hers. I’ve striven to do likewise — to have characters in The Gateway Chronicles who act like teens, not like miniature adults.
*Get The Gateway Chronicles now on Amazon, or check out my Books Page for all purchasing options*